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Three Islands Press : Map Fonts : Terra Ignota
Three Islands Press Terra Ignota™ ($39)

Copyright: ©2013 by Three Islands Press
Designer: Brian Willson
Packages: 3IP Library, Historical Collection
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Terra Ignota

Terra IgnotaThe idea for Terra Ignota came to me years ago as I was admiring a reproduction of “Amerique Septentrionale,” a 1650 map by French cartographer Nicolas Sanson. The handlettering has a sort of rakish character, evocative of pirates or adventurers at a time of unbridled world exploration. I ended up putting the project aside, but the idea to create this font tugged gently at my mind until I simply couldn’t ignore it any longer. I’d originally intended to call it “Terra Incognita,” but during my dilly-dalliance another font turned up with that name, so Terra Ignota it is. It’s got an italic slant and a deliberate feel, in keeping with its historical roots. Useful for simulating old hand-lettered documents. OpenType features include true small caps, numerous ligatures, Central/Eastern European and Greek alphabets, and a few cartographic ornaments. US$39.

Three Islands Press : Map Fonts : Terra Ignota
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Historical Script and Text Fonts
Historical Fonts
RANDOM SIGHTING:
Schooner Script

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“Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography!”
—A.L., Los Angeles CA

“I think [Texas Hero] is amazing. It is incredibly beautiful and in my opinion looks very authentic.”
—E.H., Brookline MA

“Oh! I'm in loooove with [Lamar Pen]! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing!”
—C.C., Palo Alto CA

“Thanks so much for the great service and wonderful typefaces!”
—S.F., Evanston IL

“I've never seen anyone digitize old quill-pen handwriting [like Schooner Script], warts and all. You've done a fine job.”
—R.W., Costa Mesa CA

“Not only is Texas Hero a uniquely beautiful font, there’s also the matter of Texas pride.”
—S.P.G., San Antonio TX

“The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic.”
—J.H., London, England

 

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